Una producción de Eisa Jocson

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Imagen de portada del espectáculo Host

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  • Danza
  • Sin texto
  • +16
  • Duración: 55'

HOST is a one-woman-entertainment-service-machine.

In the hostess clubs of Tokyo, Filipino female and transgender hostesses engage in ‘affective labour’ by performing a version of femininity that caters to Japanese salary men.

These hostesses employ mimetic strategies and hybrid identities to survive and succeed.

It is in this role that we first discover Jocson: she is our host, receiving and entertaining the audience as guests.

The body then begins its transformation into a database of female body representations. And the performance physically explores mimesis and hybridity by colonizing Jocson’s body with a diversity of female dance languages of entertainment.

HOST invites us to experience and reflect on feminine image formation by displaying forms of entertainment strategies associated with femininity and by exhibiting labor and body politics.


Compañía Eisa Jocson

Un show de
Eisa Jocson

Quezon City, Philippines

Eisa Jocson is a contemporary choreographer and dancer from the Philippines. Trained as a visual artist, with a background in ballet, she won her first pole-dancing competition in Manila in 2010, and started pole ‘tagging’ and other public interventions in Manhattan and various cities.

Under successive residencies in Belgium (at FoAM, STUK, Nadine, Workspacebrussels, Wpzimmers), Eisa developed an artistic praxis that questions the stereotype and context of the female pole dancer. Her solo ‘Death of the Pole Dancer’ (commissioned by In Transit Festival 2011 in Haus der Kulturen der Welt, Berlin) toured to Beurrschouwburg (Brussels), Theater Spektakel (Zurich), Tanzquartier (Vienna), Exodos Festival (Ljubljana), Dampfzentrale (Bern), Antigel Festival (Geneva), Ai-Hall (Osaka) and Le Phare Centre Choregraphique National (Le Havre).

Eisa then trained in ‘macho dancing’, a popular night-club entertainment form, and premiered ‘Macho Dancer’ in spring 2013 at Beurrshouwburg, co-produced by Workspacebrussels, Beursschouwburg (Brussels) with support from Wpzimmers (Antwerp). This solo creation has toured in Impulstanz (Vienna), Nooderzon (Groningen), Tanz im August (Berlin), Theater Spektakel (Zurich), Queer New York Arts Festival (NYC), Mousonturm (Frankfurt), Dampfzentrale (Bern), Antigel Festival (Geneva), Queer Zagreb, Le Phare Centre Choregraphique National (Le Havre) and in Theater der Welt (Mannheim).

From pole to macho dancing, Eisa investigates the labour and representations of the dancing body in the service industry, and exposes gender formation, seduction politics, and Filipino social mobility. Her next work will uncover the world of ‘Japayuki’ – the foreign entertainers hired from the Philippines to perform for the pleasure of ‘salary-men’ in clubs throughout Japan.

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